INVISIBLE CITIES XXXVIII -- Cities & Eyes: BAUCIS

Jupiter and Mercury in the house of Philemon and Baucis

We've spent the last two cities talking about spiderwebs and how the metaphor may or may not apply to the Khan's far-reaching, and perhaps tenuously maintained, empire.  It took me a few minutes (and certainly well after the first read nearly ten months ago now) to see what's going on in Baucis.  More than just the subject of the imagery is the scale of it all.  Before we get to punch line, then, let's look at the city's description in reverse:

The 3 hypotheses:

• "that they hate the earth";
• "that they respect it so much they avoid all contact"; and
• "that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it...."

The description:

• A number of great stilts like flamingos' legs supporting the city, which, on a sunny day, casts and angular shadow;
• and perhaps this one is stretching it, but check out how long it takes to get to the city: not seven days does it take, but only after seven days do you arrive there, and what, of course, comes after seven?  And then immediately the mention and description of the long slender stilts reaching up into the heavens?

A spider, right?  And not just any spider, but a spider so lofty as to dwell in the heavens, where only the gods and, perhaps, at least one of the greatest of emperors reside, right?

Interesting that the citizens of the city never descend, as they have everything they need with them, yet they leave ladders out for those who may desire an ascent a means of access.  

As far as the name is concerned, Baucis, I'll let you draw your own conclusions.

INVISIBLE CITIES XXXVI -- Thin Cities: OCTAVIA

from here

It's been months since the last IC entry.  An unexpected impetus, however, struck, and I'm back.  No need to dwell on it; let's just jump back into it.

This chapter offers an obvious knee-jerk reminder--certainly and thankfully ridiculous--of a Spiderman villain, and perhaps less so, one from The Lord of the Rings.  Maybe if I hadn't taken a four-month hiatus, I wouldn't have had to reread the exposition at the head of chapter 5 to get what's going on.  We examined a little bit over the previous four chapters the subtle shifting--or, at least, the unlabeled shifting--of narrators.  I'm not sure who's dream is Octavia, or, for that matter, that of the next two chapters (though I expect the entire chapter, whoever's dream it is, is the same), but clearly it's commentary on the unchecked expansion of the empire.

• Assuming that Octavia is analogous to all of the Kublai's expansive territories, what do you make of the closing sentence?

by John Howe; from here