KIM XV - chapter 9: PRESTO, CHANGE-O!

1. Best chapter yet!  Do you disagree?  And leaning on the newly designated (by me, who is so slow on the uptake) episodic nature of the book, this story, chapter 9, is grand.  As always, I checked the number of pages in the chapter, marked down an approximate halfway point, and began reading to it to determine a good stop-point for the day.  I read right past it.  Magic, right?  And why not?  Aside from the o-so-typical designation of, shall we say, "kinetic" writing to magically carry away the reader, this chapter's theme is Magic.  Aside from the obvious magic performed by Mr. Lurgan, what other such feats are there?
2. I'm intrigued, greatly, by Mr. Lurgan:  "'Was that more magic?' Kim asked suspiciously. The tingle had gone from his veins; he felt unusually wide awake. // 'No, that was not magic. It was only to see if there was—a flaw in a jewel. Sometimes very fine jewels will fly all to pieces if a man holds them in his hand, and knows the proper way. That is why one must be careful before one sets them. Tell me, did you see the shape of the pot?' // 'For a little time. It began to grow like a flower from the ground.' // 'And then what did you do? I mean, how did you think?' // 'Oah! I knew it was broken, and so, I think, that was what I thought—and it was broken.' // 'Hm! Has any one ever done that same sort of magic to you before?' // 'If it was,' said Kim, 'do you think I should let it again? I should run away.' // 'And now you are not afraid—eh?' // 'Not now.' // Lurgan Sahib looked at him more closely than ever. 'I shall ask Mahbub Ali—not now, but some day later,' he muttered. 'I am pleased with you—yes; and I am pleased with you—no. You are the first that ever saved himself. I wish I knew what it was that . . . But you are right. You should not tell that—not even to me.'"  What is going on in the final bolded statements here?
3. This chapter is freaking loaded with potential metaphors and parallels.  What about the memory game?  Take a look at just as it is: a memory recall challenge.  Extend that to the circumstances around the challenge and the motives (regarding the Hindu boy, as well as regarding Kim's potential for the future) of Mr. Lurgan to initiate it.
4. And what about this Hindu boy?  He attempts the killing of his master with "white arsenic," and the Sahib doesn't even bat an eye!
5. This chapter is confusing and fully intriguing and huge.  What overall impressions did you gain from it?
6. The Lama's dream that he will only find the River of the Arrow with the help of his chela, Kim combines perfectly with the Tale of the Fettered Elephant.  Thoughts?
7. I felt pretty sure the 81 beads of the Lama's rosary would come back.  What do you make of the convergence of its usages of prayer mnemonic and abacus?
8. "Colonel Sahib, only once in a thousand years is a horse born so well fitted for the game as this our colt. And we need men."

KIM VI -- chapter 3.2: I Do Not Pester Them

the old soldier

starting reading at: "'Certainly the air of this country is good,' said the lama. 'I sleep lightly, as do all old men; but last night I slept unwaking till broad day. Even now I am heavy.'"


(I didn't think of this until just now:) We've briefly covered another pilgrimage--another type of pilgrimage--on the blog: that of the Japanese hyohakusha.  In this case, Basho is the master and his travelling companion, Sora, is the chela.  While both Buddhist (Lama and Basho--regarding the latter, I'm assuming), Kim's master is on a religious quest, while Basho's is more of personal, spiritual enlightenment.  Is there a difference?  What draws mankind to quest and pilgrimage?  My family is moving across the country this summer, and I can already smell the asphalt of the road, and it is exciting!  The "pilgrimage" seems to be as multifaceted as the symbolism of rivers.  Thoughts?

1. I love the comparison of the Lama to the camel.  Maybe it's just the westerner in me, but it seems remarkably indicative of not only gate but demeanor.  More than that there is also the element of a camel's use in travelling long distances.
2. "Delhi is the navel of the world."  Hmm, how many such navels are there across the globe?
3. "I have never pestered them: I do not think they will pester me."
4. Matthew 13:42 -- "I have noticed in my long life that those who eternally break in upon Those Above with complaints and reports and bellowings and weepings are presently sent for in haste, as our colonel used to send for slack-jawed down-country men who talked too much."
5. Why is longing for the past, according to the Lama (or anyone else for that matter), weakness?
6. Narratively speaking, what is the point of showing the episode with the old soldier?  (Though I haven't read it, the old soldier reminds me a little of the bumbling Don Quixote.)

Regarding the Rosary
This is a handful of cardamoms,
This is a lump of ghi:
This is millet and chillies and rice,
A supper for thee and me!

KIM I -- chapter 1.1: A VERY FEATHER UPON THE FACE

Kim astride the Zam-Zammah; illus.
from first edition (as far as I can tell)

NOTE TO READERS:  Though I came into this next book hoping for something short and simple, I can say with certainty that Kim does not fulfill my hope for brevity and likely similarly fails to fulfill the second--simplicity.  That said, and considering general time constraints of both you (hopefully collective) and me (definitely singular), we will be cutting most, if not all, chapters roughly in half.  I hope this isn't irksome at all, though if it is, well, then tough bananas.  Let's get started.

(This reading from beginning of chapter 1 through paragraph "The curator would have detained him: they are few in the world who still have the secret of the conventional brush-pen Buddhist pictures which are, as it were, half written and half drawn. But the lama strode out, head high in air, and pausing an instant before the great statue of a Bodhisat in meditation, brushed through the turnstiles.")

1. The opening verse of the chapter is the first of 9 stanzas of the poem "Buddha at Kamakura," from Kipling's collection (originally published just a couple years after Kim), The Five Nations.  Here is a background on the collection, and here is the poem in its entirety within the collection.
2. The "Zam-Zammah": like the red bull (to come) is quite potentially a symbol of some sort, considering Kim's heritage and current status, as he sits astride it and heckles the locals.
3. Summarize the position of Kim's birth and his birthright, particularly regarding his status of British orphan left in India.
4. What do you make of the "red bull in a green field," apart from the brilliance of the image?  Regardless of the "magic" of the Masonic Order, what magic must there always be for Kim in those three papers?  With this magic in mind, what weight might the opiated "prophesy" hold over him?
5. Label the connection (perhaps it's obvious) between Kim and a prominent character from "Arabian Nights"?  Anything significant here beyond the superficial connection by age and lifestyle?
6. "The Middle Way."
7. First impression: The old Lama entering the museum with Kim reminds me of the two Mr. Kumars from Life of Pi.
8. "Pilgrimage," apart from religious excursion, is a perfect label for which of the -romans?  And so a connection to the Arrow that became a River.
9. Kim is generally lost listening to the Lama and the curator discuss the museum's holdings, so, as per the note below, I don't see any particular need to ensure our knowledge of the material as this book is narrated through Kim's eyes.  However, the spectacle clearly makes an impression upon Kim.  Thoughts?
10. "So it comes with all faiths."  What does the curator intend?
11. The Lama's personal faith interests me.  I am no scholar of world religions, but it seems a little self-contradictory.  Maybe one of you can help me out: What is the Lama's faith?  Buddhist, Muslim, Hindu?  And then what's with the rosary (is this where Martel got the triple-faith backdrop for LoP)?  Why might he want to break free (via the River of the Arrow) of The Wheel of Things?
12. What of the gift exchange between the two disciples, as the Lama describes the curator and himself?

Wikipedia will surely become an even closer friend than ever through the reading of Kim.  While a certain amount of knowledge--schema--is required, I don't think that to understand what in the world Kipling is talking about, we need to be experts in Islam, Buddhism, Indian history, etcetera, so I don't plan to particularly over-clog the discussion points/questions with links to the encyclopedia (it would, after all, I think amount to a thousand points-per-chapter!), nor will I overindulge myself in writing up my own ecstatic discoveries of India and British-Indian culture.  However, as we read, if you believe I'm remiss in the omission of some key point or observation you've come across, please say so!