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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Thursday, January 10, 2013

A New Bookmash, from Sentence First

I don't know if Stan Carey came up with the idea of the "bookmash," but I picked it up from him, and think it's a pretty great source of accidental or chance poetry.  Of course, the accidental/chance nature of stuff like this "poetry" (not always so great for its actual artistic value) must be taken with a grain of salt, because, indeed, it's pretty friggin' easy for the discoverer (or, as it were, author/poet) to arrange the titles or labels in whatever way works best--or least badly.  What I think is truly great about this kind of art, however, is first that the photographer (an attribution more appropriate, perhaps, than artist or poet) has to make do with the phrases available to him, and better, second, that there is, to those familiar with the source materials, immediately implicated meaning and connotation built into the poem by the authors of the works whose titles form the lines of the poem.  Cool!

Anyway, Mr. Carey posted a new one on his blog, "Sentence First," today, and I think it's my new favorite:


-- and arranged by Mr. Carey thusly:

Black Hole, the long falling
Darkness peering, portable darkness --
Tidal dreams, grotesque dreams,
The holy door on Green Dolphin street.

Wednesday, December 15, 2010

Wednesday's for Kids IV -- HIGH SCHOOL YEAR BOOKS

This is my high school yearbook, the annual Swirl of Dover High School, from 1994-95, the year I graduated (freshman through junior years are blessedly stored away at my parents' place two thousand miles away).  Amazing how embarrassing these pictures are despite the fact that I was without my clonky glasses, without the relatively new and totally pathetic pad of fat on my gut, and without the glistening bald spot at the crest of my scalp.  Aside from just the physical, I was more popular back then--had more friends, did more stuff, was altogether cooler (doesn't say much for me now!).  Yet despite the apparent descent my life's taken since my teens, I am pink with unease looking at these ridiculous pictures.  So, here, now, on The Wall, I show them to you not to confront my nerves or solicit sympathy or laughter, but to demonstrate, and here's why:

My kids love this crap!

And it's not just yearbooks.  Any old memorabilia--even receipts--seem to enthrall them, so long as they get the accompanying story.  This doesn't, I think, speak of nerdiness in my children, but of their interest in connecting with their parents' past.  I've got a sheaf of old newspaper articles, receipts, train tickets, fliers, and so on stuffed into a journal from my first year at BYU and my following two years in Italy, not to mention the scrap book my mom assembled from all the pictures I sent home during that time, and, once again, my kids love it.  All of it.

Look at it this way: what are the overall benefits of reading books with your kids (benefits to the kids, not you, I mean)?
  1. increased literacy and fluency;
  2. increased verbal and narrative skills;
  3. improved relationships, reader-to-listener;
  4. time away from the television;
  5. relief from sibling rivalries;
  6. bedtime tranquilizer;
  7. general mood improvement, both listener and reader; and (did I forget any?)
  8. maybe most importantly, the kids like it, which surely is why the previous seven even work at all.
So if these are the good that come from reading with your kids (and is there any bad?), maybe with slightly shifted results depending on the chosen book (Hamster Huey and Gooey Kablooie, Calvin's favorite bedtime story, from Calvin and Hobbes, by Bill Waterson (though Waterson credits Mabel Syrup with the HHaGK authorship), is sure to boast fewer benefits than, say, The Sweet Pickles books I mentioned here a couple weeks ago (go ahead and argue the point)), and the fact that, at least for my kids, that final benefit is perhaps greater than with book about my wife and/or me than with any other book, why not suffer some minor embarrassment for their benefit?

After all, our comfort should have little if anything to do with their growth and pleasure, right? which, by the way, is a lesson I really need to do better at remembering, as I sit comfortably at my desk on a break from work far from kids and my poor wife who's sick and dealing with even sicker kids (darn flu season!).  What's a little pain in the back or neck?  What's a little time away from whatever it is that takes your time?  How important are your kids, after all?  But there is at least some minor remediation:

It was my father who discovered the available leverage to take full advantage of the labor potential of a full half dozen kids where regarded the otherwise slump of his physical comfort at story time: all six of us were obligated to take turns scratching his back while he read us our story; if we stopped, he stopped; the longer we scratched, the longer he read.  Good deal.  But he never showed us his old yearbooks, and even now I would LOVE to see those.

Sunday, December 5, 2010

Sunday Poetry III -- Matsuo Basho, A Casual Artist and Adventurer

On the Poet's Trail:



Bashos Trail
by Michael Yamashita
Nearly three years ago, back before my most cherished of subscriptions sadly expired, I read one of my all-time favorite articles in the good periodical, National Geographic.  While I have sung NG's praises repeatedly since my childhood, this particular article came together in a rarely exquisite nexus of photography, essay, and art.  Being the bugger English snob that I am (and hypocrite to boot), I've often snubbed my nose at the "poor" writing of the photographers and scientists that generally pen for the magazine (I've since humbled myself and been humbled), though I've always praised the photography.  Also, I've always been a fan of the chosen subject matter in general, being a general subscriber to Life on Earth and the weirdness it pulls out of itself.  This article, however, I'd have never anticipated of the magazine, which I've received via grandparents, parents, and, though with less consistency, my own small investments.  It's LITERATURE, after all!  Yet, somehow and if not immediately, it made perfect sense.

I'd heard of Matsuo Basho, Japanese poet and reputed father of the haiku, but I'd never read more of his stuff than a few of those three-liners in my various literature text books.  The NG article piqued my interest, however, with its scattered Basho quotations, some minor biography, and, most of all, that combination of pictures and narrative from the lucky man who got to go mirror that--well, I want to say PILGRIMAGE, but that's not what it was.  The guy just went for a walk!

The best part of the article for me was the great word "hyohakusha," which according to NG translates to "one who moves without direction," which is a travelling descriptor I've wished for myself my entire life (just imagine: me and my steel drum, one-way ticket to Italy...), but that's another entry.  I snapped out of it and thought instead of a perfect, big-assignment writing prompt for my creative writing students.

That, too, is another entry.

I found dug up a text for Narrow Road to a Far Province and was entranced.  (There's a little bit a wikipedia, HERE, but I really recommend reading the whole thing--it's THAT worth it.)  I'd quote from that very file now, however and unfortunately, somewhere along the line I lost my file for the book and since then all the good translations have been ripped from the web.  Even Google Books has only got an excerpt of an introduction!

But I did find a translation HERE, which, while being a somewhat--or apparently--clumsy translation, yet offers a decent, free glimpse into the experience of Basho's wandering (despite my gripes with the words, the website is nicely interactive and offers notes throughout the text--always nice).  Here are a few excerpted poems:

It looks as if
Iris flowers had bloomed
On my feet --
Sandals laced in blue.

*

Bitten by fleas and lice,
I slept in a bed,
A horse urinating all the time
Close to my pillow.

(I laughed out loud when I first read this one; the other translation I read was not quite so demur.)

*

I felt quite at home,
As if it were mine,
Sleeping lazily
In this house of fresh air.

Crawl out bravely
And show me your face,
The solitary voice of a toad
Beneath the silkworm nursery.

With a powder-brush
Before my eyes,
I strolled among
Rouge-plants.

In the silkworm nursery,
Men and women
Are dressed
Like gods in ancient times.

This one was written by Basho's travel companion, Sora.  He tends to be a bit wordier than his practically terse master, though at times Sora's words tend to be less frivolous--maybe he's compensating for some literary insecurity.

*

In the utter silence
Of a temple,
A cicada's voice alone
Penetrates the rocks.

*

The night looks different
Already on July the sixth,
For tomorrow, once a year
The weaver meets her lover.

The great Milky Way
Spans in a single arch
The billow-crested sea,
Falling on Sado beyond.

*

Move, if you can hear,
Silent mound of my friend,
My wails and the answering
Roar of autumn wind.

*

On a cool autumn day,
Let us peel with our hands
Cucumbers and mad-apples
For our simple dinner.

*

This is the final poem of the journey:

As firmly cemented clam shells
Fall apart in autumn,
So I must take to the road again,
Farewell, my friends.

***

Additional note:

I've always been interested in the complexities of translation.  Translating from a language so dissimilar to our own as Japanese lends particular challenges.  Check out THESE nine translations of a single passage from Basho's work.

Saturday, November 20, 2010

The Wall -- the OLD wall

Most of you will remember "The Wall."  Thanks to Portia and Sevonna Brown, I was able to take it with me when we left Michigan.  For anyone else who's taking a look here, "bricks" like these were funny quotations from class, reminders, or just silly drawings instead of careful notetaking. 

Regardless of the funny, anonymous comment I got for the former wall picture, I thought that it would make a lot more sense to do it this way than the old way.

Each week--or every so often, more likely--I'll change the header picture to a photo of another brick from the old SASA wall.  (I'm sorry to the bricks' original creators, I have credits for only a couple of them.)

A couple others:

artist unknown

"Kandiliciousness," by Tyler Darland;
"Hey, Handsome," by Chris Largent

Got a BRICK?  Send it here.

Monday, November 1, 2010

BOOKMASH #4: by KATIE

who wants a cheap rhinoceros? 
the croquet player,
east of eden,
believe it or not.








Visit Katie's blog HERE.
Assemble your own BOOKMASH and send it HERE!

BOOKMASH #3: by JAMES

The Republic
East of Eden,
Light in August,
Oryx and Crake
Catch-22
Leviathan
Praying through the Bible.
Purgatorio.

(Only question is whether the plural of "leviathan" is "leviathan," as I assert, or, "leviathans."  Don't have any good way to take photos. Sorry.  --James)

Visit James' blog HERE.


Anyone got all of these books and camera?  Snap a photo and send it on!
Assemble your own BOOKMASH and send it HERE!

Wednesday, October 27, 2010

BOOKMASH #2: By Me

"The 3 a.m. Epiphany"
The 3 a.m. Epiphany,
A Self-Portrait in Letters
Slow Learner:
Be a nose, be a nose, be a nose where
you once belonged!
--The lunatic at large ::
   the revenge of the babysat--




*** 

"Through the Looking Glass"
Through the Looking Glass,
The hero with a thousand faces, the
beauty of the beastly:
Fatherhood,
a confederacy of dunces.

Nothing like it in the world, / .
b/Believe it or not! / :
( / _I'm just here for the food.) / _

*

Assemble your own BOOKMASH and send it HERE!

BOOKMASH #1: by KIRI

KIRI

"Forever Odd"
Forever Odd (1):
My name is Asher Lev.
I am the messenger,
the guardian,
the good guy
forever odd.










***

First  Test
First Test (2):
Cannery Row
left behind
brightly burning.
Deadline:
high noon.
Napalm and silly putty.
Fade to black.
Create your own BOOKMASH and send it HERE for publication.

Sunday, October 24, 2010

Writing/Photography Prompt: "BOOKMASH"

Don't know if anyone's taken the time to click any of the blog and site links I have on regular update in that long column at the right, but one of my very favorites is Stan Carey's, "Sentence First."  I'm not going to waste space telling you all about him.  Just go to his site and check out what he does.  I've only been reading him for a few months, but the other day he posted his eighth "bookmash," of which I propose a frenzy! 

Check out his most recent, and do one of your own!  Email it to me, and I'll put it up on the blog.

***

The Web of Words, by Stan Carey
October 19, 2010.

The web of words
Caught in the web of words –
The elements of editing,
The grammar of living –
I may be some time.
.
I almost included this title at line 2, but I felt it would be too harsh.  This is the eighth ‘bookmash’ I’ve posted. Numbers 1–7 are here.

Thursday, October 21, 2010

Perhaps the Loveliest Wall I've Ever Seen; and BRICKS

As many of you know, this "wall" (not the one below, but the blog upon which that image is posted) is nothing like the "brick" wall I had at SASA.  If any of you ever happens to come across a particular image or draws or designs something like the bricks we had then, send it along via Facebook.  I'll post it here, or create a page just for showing off the bricks.  Or maybe we should do illustrations for each of the chapters of the books we read here....  Any thoughts?  After an entire book's worth, I imagine it could even be something worth trying to publish.  Hmm....

The wall here below was found by my wife.  "Your kind of bookshelf," she said of it.  Indeed!

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